Posts tagged Product Reviews
Artists Supplies - My Absolute Favourites

In the realm of watercolour, the alchemy between artist and artist's supplies transcends the physical; it becomes a dialogue, a shared journey towards creation. Each tool and medium in my studio has been chosen not just for its quality, but for the unique voice it brings to this conversation. Let me share with you the essence of these relationships, the soul behind each choice, and the indispensable role these art supplies play in my art.

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The Ultimate Guide to Choosing Watercolour Brushes: An Artist's Companion

Synthetic brushes are not only good for watercolour painting; they are an excellent choice for many artists. Their durability, versatility, and ethical production make them suitable for a wide range of watercolour techniques, from broad washes to fine details.

Whether you’re a beginner looking for a cost-effective way to start painting or a professional seeking reliable tools, synthetic brushes offer quality and performance that can meet—and even exceed—your painting needs.

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4 Characteristics of Watercolour Paints

Opacity is influenced by the degree of dilution in watercolour paints. Water is used for diluting watercolour paint, and the extent of dilution directly impacts the tonal value of the paint colour. It's worth noting that transparent pigments, when applied to the paper at their full intensity (with minimal water added), can appear opaque. On the other hand, when water is used to thin down opaque pigments, they can show a more transparent quality.

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Ampersand Aquabord Panels for Watercolour

Painting on Aquabord offers a unique experience compared to traditional watercolour paper. Watercolour paper encourages exploration and experimentation, striking a delicate balance between control and spontaneity. The paint dances over the wet paper, producing surprising and delightful effects.

However, painting on Aquabord requires a distinct and different approach. The clay surface is absorbent and it doesn't stay wet for long. When I use it, I have to change my normal painting method.

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Help! My watercolour paper dries too fast when I work wet on wet.

To test both of these mediums, I took two glasses and used two pipettes. In one glass, I put 5 drops of gum arabic, and in the other, I added 5 drops of ox gall. Then, I painted rectangles of each solution in my watercolour diary, alongside a rectangle using just plain water. I watched them dry, and indeed, the rectangles with the mediums mixed into the water stayed wet longer than the rectangle with plain water. However, the difference in drying time was marginal. Nevertheless, I was still hopeful that these mediums would make a difference to blending and drying times when I was painting.

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