As a professional artist, I don’t always have the luxury of waiting until motivation returns. I still need to create new work, even on days when I’m not in the mood. When that’s the case, I often start with a study rather than a finished painting, and I do it without cameras on. Taking away the pressure to perform allows me to experiment, make mistakes, and explore ideas more freely.
Sometimes that study leads naturally into the final painting. Other times I’ll try again, or scrap it entirely and begin something new. Letting go of the need for every piece to succeed is often what makes it possible to keep painting at all.
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